Newsroom
Newsroom (page 232)
Gabrielle Giffords
By now, you may have heard the devastating news that U.S. Congresswoman (Arizona’s 8th District) Gabrielle Giffords ’93 was shot in the head and seriously wounded, along with several other people, this morning during a public appearance in Tucson, Arizona. Our thoughts and prayers are with her, her husband and family, and to all the other victims and their families affected by this national tragedy.
Read MoreCollege to Celebrate the life of the late Paul Soldner
61´«Ã½ will celebrate the life of Professor Emeritus Paul Soldner, artist and innovator in the field of ceramic art, in Seal Court on the 61´«Ã½ campus on Saturday afternoon, January 8, at 4 p.m. Soldner died January 3, 2011, at his winter home in Claremont, at age 89.
Read MoreClaremont Colleges Hosts Feminism and Science Workshop
A collaborative workshop, “Feminism and Science: Building Bridges for Teaching and Research Innovation,” will be held January 4–6, 2011, at The Claremont Colleges. Funded by a Mellon 23 grant, the workshop will draw faculty interested in developing teaching and research projects that bring together science, gender studies, and/or feminist science studies.
Read MoreA Global Affair
Professor of International Relations David Andrews heads the European Union Center — one of only two in California — so 61´«Ã½ students may have opportunity to work with another important consortium: the European Union.
Read MoreStudents United!
Collaboration between 61´«Ã½Associated Students, staff, and trustees leads to the development of 61´«Ã½’s first Student Union.
Read MoreRoberto Andreoni: “The Making of Cross-cultural Music and Research: Analysis and Performance of Bardo by Roberto Andreoni”
How can a European-trained composer approach the encounter with a performer who belongs to a different culture and, through the latter, how can he manage to encounter another, even more remote, challenging culture? Does modern Art Music demand a specific political correctness, academic integrity or ethic codes in order to cross cultural bridges? Otherwise, is music itself a bridge between, above and beyond cultures? To what extent a new, non-commercial composition could still be a relevant fact in the life of a campus community?
Read MoreRivka Weinberg: “Giving Babies to the Needy: A Critique of Altruistic Surrogacy”
Commercial surrogacy has long been criticized because it seems degrading to treat a person as an object of commercial contracts. It seems to contradict a widely accepted view regarding the proper treatment of persons as ends in themselves, and certainly beyond price. Altruistic surrogacy, on the other hand, has been deemed free of these sorts of problems presented by its commercial alternative. I will question this assessment: if persons are not the kinds of things that we should sell, aren’t they also not the kinds of things that we should give away? The answer to this question, which has received little philosophical attention, may have implications for other kinds of child welfare and custody issues as well.
Read MoreA Very Merry Sorrow
A haunting new collaboration between 61´«Ã½ students and German professor Roswitha Burwick results in an impressive anthology of modern-day fairy tales.
Read MoreMolly Concannon ’02: “From London to L.A.: A Journey into Contemporary Art”
In 2005, a new group of American collectors speculating on contemporary art emerged to the forefront of the art market, raising the value of relatively unknown artists at the time, such as Richard Prince. Speculating on contemporary art, the emergence of hedge fund managers and ‘professional’ collectors dramatically increased the demand for certain artwork. Molly Concannon, director of the ACME. Gallery in Los Angles, will show that five years later, there is no artist, gallery or museum that has not been greatly affected by the decisions made by this speculative group of investors, permanently altering the art market and changing the course of contemporary art.
Read MoreAppointment of the New Humanities Institute Director
I am delighted to announce that Cándida F. Jáquez, Associate Professor of Music, will be the Director of the Humanities Institute for a three-year period, beginning July 1, 2011. An interdisciplinary approach to the humanities has long informed Professor Jáquez’s research, teaching, and performance, in addition to her intellectual and professional commitments.
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