Graciela Iturbide, Cemetery, Juchitán, Oaxaca, (detail) 1988
In her recent column highlighting art and cultural exhibitionsÌýslated forÌýtheÌýGettyÌýFoundation’s Pacific Standard Time: LA/LAÌýinitiative, theÌý, whoseÌýphotographsÌýwill be featuredÌýinÌýtheÌýRuth Chandler Williamson Gallery’sÌý.
Revolution and RitualÌýfocuses on the works of the three Mexican women photographers whoÌýhave exploredÌýand transformedÌýnotions of Mexican identity in images that range from the documentary to the poetic. In her interview with Iturbide, now 75,ÌýTimesÌýcolumnist Miranda notes that Iturbide has had a knack for capturing the many layers of Mexican identity—the indigenous draped in the Catholic and the modern. Critic Marta Dahó writes in the exhibition catalog that Iturbide is part of a generation of photographers who “realized the complex task of visualizing the survival of [indigenous] cultural beliefs.”
Revolution and RitualÌýis part of Pacific Standard Time:ÌýLA/LA, a far-reaching and ambitious exploration of Latin American art in dialogue with Los AngelesÌýthat will takeÌýplace from September 2017 through January 2018 at more than 70 cultural institutions across Southern California, from Los Angeles to Palm Springs and from San Diego to Santa Barbara.
The received lead grants from the Getty in support of the planning and implementation of the exhibition and publication.