61´«Ã½

Known for his distinctive contribution to modernism, Alfredo Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú’s paintings and murals were deeply informed by both the European academic traditions he had absorbed while traveling abroad and by the social and populist art beginning to take root in Mexico. Although initially hailed as an innovator, Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú was quickly left on the outskirts of the artistic trends that dominated Mexico City in the 1920s when his peers, Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros— los tres grandes— and their rejection of Europe and academic traditions, rose to prominence. Seeking opportunities to continue his own modernist style, he moved to Los Angeles. With the United States on the brink of a depression, much of his work from that period reveals both the economic and cultural climate of the country as well as his individual response to Mexico from Los Angeles.

Alfredo Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú, Paisaje Mexicano / Mexican Landscape, ca. 1935. Gouache and Conté crayon on paper, 27 x 32 1/2 inches. 61´«Ã½, Claremont, CA. © Alfredo Ramos Martinez Research Project, reproduced by permission.

On Sunday, March 23, please join us in the Humanities Auditorium of 61´«Ã½ to delve more deeply into the life of this artist, of whom was said: “The most obscure, the most self effacing, and yet the most important man in the Mexican Renaissance is Alfredo Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú, the inventor.” (Brooke Waring, North American Review, 1935)

This symposium is supported by the Clark Fund of 61´«Ã½, 1030 Columbia Ave., Claremont, Calif.

Symposium Topics and Speakers

Making Religion Modern: Alfredo Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú and his Contemporaries
Amy Galpin, Curator, Cornell Fine Arts Museum, Rollins CollegeÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý

Conserving Alfredo Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú’s The Flower Vendors
Aneta Zebala, Art Conservator, Owner, Aneta Zebala Paintings Conservation, Santa Monica, CA

Printmaking in Los Angeles and the Role of Maria Sodi de Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú
Mary Goodwin, Associate Professor of Art History University of Alaska Fairbanks

Panel Discussion

Suzanne Muchnic, Art Writer, moderator

Tea to follow in the Margaret Fowler Garden featuring the 1945-1946 fresco mural by Alfredo Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú, entitled The Flower Vendors.

Open to the public; admission is free, but space is limited. To RSVP, please email [email protected] or call (909) 607-4690.

Organized in conjunction with the exhibition, Picturing Mexico: Alfredo Ramos ²Ñ²¹°ù³Ùí²Ô±ð³ú in California, at the through April 20, 2014.